Wintershelm by Paul C Sorrell
“Imagine being told that the very thing you love—words—are your biggest obstacle.”
944 Hidalgo by Jack Davies
“Revise later and don't worry about the timescale, it's not a competition.”
Dirt by Laura Baggaley
“Read. A lot.
Write. A lot.
Learn to edit. You’ll save time if you can afford to go to classes.
Stick at it.”
Dark Mysteries of Fate by Tiffany Hepworth
“Never ever give up.”
Long Time Gone by Gregory Stout
“Everyone has a book in them, because everyone has had a lifetime of experiences”
The Outlands by Frank Torn
“Write what keeps you awake at night.”
Fallen Shards by Michael S. Jackson
“Fantasy has everything. It's a playground for how the world could be, but with freaking dragons and magic!”
The Cut by C. J. Dotson
“Find your community, find your people in the writing world”
The Adventures of Ellie & Ninja Cat by Alex McNab-Lundbäck
“Write before you’re ready”
The Sins of Steel and Shadow by Steve Pannett
“I create, consume, cavort and commune!”
Lost Souls by Lucineh Danielian
“Writing is not a mere desire, but a craving, a necessity and a part of one's soul”
The Corn Bride by Mark Stay
“In a world full of AI slop, it’s going to be crucial to be your true and strange self.”
Somewhere Past the End by Alexandria Faulkenbury
“I don't think there can be any better inspiration than reading”
The Cat House Tweens by Matthew J. Merrill
“Don't get discouraged when you have doubts, receive negative feedback, or feel like your writing doesn't measure up. Just write. You will find your voice.”
The Ranger by Eamonn Bradley
“My biggest challenge is trusting the source of where the ideas come from”
Ohlegans Treasure: Search for the Runes by Brian Gardner
“Stop thinking, start writing”
The Promise of the Child by Tom Toner
“A perfect free morning would be spent in the sun with a coffee and my notebook, worldbuilding.”
Undine’s Blessing by Tessa Hastjarjanto
“I had stories I needed to get out of my head”
Son of the Siren by Kristina Elyse Butke
“Publishing is wildly unpredictable and we are all on our own paths in our own time”
What I Know About July by Kat Hausler
“Try to look at your story like you're a stranger to it, because that's what your readers will be”
When the Moon was White by Jeff Probst
“I had to decide which characteristics to give to which characters, and what about them wasn’t me.”
Double Jeopardy by Alan Bayles
“I have developed a habit of letting my characters take over the story from me”
Second Hand Rose by D E Fox
“Due to my mental health I write to unwind and escape so I never pressure myself to write a certain number of words.”
The Queen of Fairy by Marieke Lexmond
“Learn from others, pick what works for you, and make it your own.”
Dive Beyond Eternity by Valeriya Salt
“Invest some time in searching for good beta-readers.”
The Sport of Presidents by Alexandra Kitty
“A nonfiction author has to re-create and reconstruct elements from reality and be truthful and honest about it”
Mushroom Blues by Adrian M. Gibson
“Build connections and involve yourself in the community as early on as you can, especially before you release your first book”
And This Shall Be My Dancing Day by Jennifer Kavanagh
“Write in the way that suits you and the material. Let go of preconceptions. Let the characters lead you.”
The Night Side by M.M. DeLuca
“If your writing isn't tearing at your emotions, then it's not going to do much for a reader. Tap into your greatest joys and deepest fears.”
Why Odin Drinks by Bjørn Larssen
“I play fast and loose with the Norse mythology and lore.”
The Other Times of Caroline Tangent by Ivan Wainewright
“I’ve always loved stories which are set in our world but where something is just shifted slightly to one side.”
The Forever King by Ben Galley
“As long as your escapism is rooted in strong characters and plot, emotional entertainment, believability, and intrigue, you can escape anywhere.”
The Mortal Blade by Christopher Mitchell
“Keep writing, believe in yourself, develop a thick skin, and own the fact that, if you write, then you are a writer.”
Legacy of the Brightwash by Krystle Matar
“That’s the beautiful thing about storytelling, really. You could give the same prompt to 100 writers, and you would get 100 different stories.”
Burn Red Skies by Kerstin Espinosa Rosero
“My pen followed me everywhere, giving shape to whatever was in my head at the time.”
Hall of Bones by Tim Hardie
“I think the most interesting aspect of developing character is how they acquire a life and personality of their own”
The Iron Crown by L. L. MacRae
“Worldbuilding is by far my favourite thing about the fantasy genre – whether reading it or writing it”
Hold My Place by Cassondra Windwalker
“I become my characters when writing, feeling what they feel, and interpreting the world around me through their lenses.”
The Chair Man by Alex Pearl
“Enjoy your writing and don’t be put off by criticism when it is constructive.”
A Song of Steel by J. C. Duncan
“I don’t have stories of good and evil, I write stories of people, and people are both.”
Central City by Indy Perro
“Relationships, generally, are a recurring theme. How do people relate to one another through technology, art, and social structures? How do relationships shape individuals? How do we see ourselves within our communities? These are the questions I’m drawn to through character development...”
Kololo Hill by Neema Shah
“I think it's important to look outside the novel for inspiration because we become so subsumed by the story that it can narrow our view.”
Cows Can’t Jump by Philip Bowne
“I focus on characters and I just let the ideas come as I write.”
Myth-Building in Modern Media by A. J. Black
“If you believe you have something to say about a topic you love, say it. Write it.”
A Nest for Lalita by Ken Langer
“Grow elephant hide – thick skin may not be enough.”
The Wrong Move by Jennifer Savin
“Writing feels like playing Tetris a lot of the time, it’s about shape shifting and moving the parts around until they click, and you get that ‘ahh’ feeling”
The End of the Line by Gray Williams
“Adding magic to the real world is very tricky. Humans are very complicated and clever creatures and collectively we adapt and change to one another and come up with things that no one person could conceive alone.”
The Lawyer’s Dilemma by Lorna Marie
“The heard word is lost, the written letter abides”
Scabby Queen by Kirstin Innes
“She’s also the queen of the tiny moment, the thing unsaid. I love the tiny little beats underscoring her characters’ interactions.”
The Stuff of Love Songs by Feyisayo Anjorin
“I used my experience as someone who has lived under dictatorship”
God of Broken Things by Cameron Johnston
“The one thing that every author I know has in common is perseverance.”
Magebane by Stephen Aryan
“I think writer's block isn't a thing, at least not in the way people typically think about it...”
The Day it Rained Forever by Lynette Greenfield
“I never want the reader to be too familiar with a place, but it’s nice to be able to reflect familiarity, with a spin.”
The Inheritance of Solomon Farthing by Mary Paulson-Ellis
“What else does a writer need to invest in other than some paper, a pen and a room of one’s own.”
Fig Swims the World by Lou Abercrombie
“There’s no right or wrong way to write a book. The main thing is to get it finished!”
The Man on the Street by Trevor Wood
“Getting constructive feedback – and the constructive bit is vital - on your work is absolutely essential to growing as a writer.”
Bloodchild by Anna Stephens
“My biggest aim was to ensure that every character, hero or villain, was believable”
Saturday Night Sage by Noah C. Lekas
“[My] characters test the limits of my philosophical and theological paradigms. They push beyond the borders and into untamed space with resolute force”
Tuned Out by Keith A. Pearson
“Beyond the protagonist, I rely heavily on a strong supporting cast so I spend a lot of time developing relatable characters.”
The Kosher Delhi by Ivan Wainewright
“Drawing mind maps helps me far more than simply writing lists on paper or on a computer screen. I find it especially helpful when I am first thinking about a new story.”
Stratagem by Christina Hagmann
“I create pretty detailed character spreadsheets, including a Google image of someone who I think represents the character”
Nothing Else Remains by Robert Scragg
“Don’t get it right, get it written”
What You Pay For by Claire Askew
“I’m very interested in toxic masculinity, and I feel like everything I write – poetry and fiction – has an eye on wanting to get to the bottom of it.”
The Picture on the Fridge by Ian W. Sainsbury
“Empathising with people who don’t think like I do is one of the hardest—and most rewarding—parts of writing fiction.”
Emerald City by Brian Birnbaum
“Even with the veil of fiction, even transfigured through the eyes of my characters, it’s difficult to write about that which truly scares you or hurts you.”
The Undoing of Arlo Knott by Heather Child
“Roam the countryside, if I get the chance, or travel further afield. Routine isn’t great for the imagination, and a change of scenery always gets you out of a rut, so to speak.”
The Song of the Sycamore by Edward Cox
“Sometimes the logical thing to do is the hardest thing: killing off a character, acts of betrayal, making mistakes which have dire consequences - allowing my children to leave the nest and live their own life is probably how my abilities are most tested.”
Cruel Summer by M.R. Mackenzie
“More often than not I find myself writing about civilians forced by circumstance to solve crimes. “Ordinary people experiencing the worst day of their lives””
Awakening – The Eye Of The Scalian by Douglas W. Green
“Many authors speak of outlining a story with all the basic ideas and story lines. I just sat down and started writing. The characters and stories flowed like a faucet almost faster than I could put them on the screen.”
Level Up by Craig Anderson
“Pretty much all my stories have one thing in common, an underdog. I don’t know why I love that archetype so much, but so far all my MCs have been drastically underestimated, sometimes by others, and often by themselves”
Gods of the New Moons by J.L. Forrest
“Good characters make stories interesting. They’re where the gold is at.”
Chasing Graves by Ben Galley
“Keeping ideas fresh is always an obstacle, of course, as well as the amount of research required when taking inspiration from certain mythologies.”
The Summer Will Come by Soulla Christodoulou
“I live life. I laugh, I cry, I travel, I keep my eyes and ears open and always carry a notebook and pen!”
Cold as the Grave by James Oswald
“It’s not always easy to fathom the mind of a serial killer though, or indeed accurately portray the inner voice of a thirty year old woman when you’re neither.”
One Hundred and Fifty-two days by Giles Paley-Phillips
“I'm not sure I do fully overcome the challenges, I think I try and find a way around them.”
Starting from Scratch by Jessica Goodwin
“Even if you can barely squeak out a paragraph. Don’t worry about editing and making things perfect. Just write”
The Perfect Lie by Adam Croft
“I write only when inspiration strikes. Fortunately it strikes every morning at nine o'clock sharp.”
The End of Magic by Mark Stay
“If you’re starting out, then write as much as you can. Twenty minutes a day will get you into the habit. Set deadlines and make a declaration.”